The great thing about blogging is that I can write about absolutely whatever I feel like. One day I might write about politics, the next sports, another day I might write about the war in Iraq, and who knows, maybe that same day I'll complain about the potholes that have reduced 90th South between State Street and I-15 to a worse surface quality than most unimproved roads.
And so it is that today I'll be reviewing a recent music purchase.
Radiohead's latest album In Rainbows originally garnered attention for its unconventional release. The album was first made available through its own dedicated website, and people could download the album for whatever price they felt it was worth.
Most people chose to pay nothing.
The band then released their album to iTunes (standard pricing was applied) and made a hard copy available through traditional retailers (the disc was priced less expensively than most new releases).
I missed the boat on the web release, but I prefer to keep a hard copy of each of my favorite bands' albums anyway, so I recently purchased the album at a music store in Layton.
After my first listen I found myself empathizing with the freeloaders from the first release: I actually paid money for this?
Of course, the first listen to most albums is probably the most difficult: the songs are unfamiliar and you find yourself enduring them, rather than enjoying them, as you impatiently wait to hear the next song. You tend jump to conclusions too soon and end up rendering judgment prematurely.
This is probably especially true with Radiohead. The first listen is truly the most painful: a hurdle to be overcome, rather than a delicious treat to be savored.
My first listen left me disappointed. I felt the band had not evolved. I questioned their ability to compose a coherent song. Aside from the one song I'd heard on the radio, I didn't feel that any of the tracks really stood out. My patience for the artistic antics of the band was wearing thin, and my few remaining hopes that the band might approach anything as good as The Bends ever again seemed to be lost.
Then, amazingly, I found myself actually wanting to hear the album again. Songs were sticking in my head. I listened to the album several times, from start to finish, and even on shuffle. In Rainbows slowly began to come into focus.
This is a good album. Radiohead will never be the band they were in 1995, but this is probably a better CD than anything since OK Computer. And there are actually quite a few tracks that standout. Here are a few:
- Bodysnatchers - From the title alone, this track shows promise (what a quintessentially perfect title for a Radiohead song?). This is probably the most upbeat song on the album - if you can call a song about being "trapped in this body and can't get out" upbeat. And it’s nice to see they can still rock the guitar.
- Reckoner - This song is an exercise in layering audio tracks, and somehow still managing to make Thom's whiny, haunting vocals sound as though they belong. For a glimpse of the beauty of this song, scroll forward to 3:15.
- Jigsaw Falling Into Place - Best lines: "Words are blunt instruments / Words are sawn off shotguns"
- Weird Fishes/Arpeggi - Another beautiful track. The guitar nicely complements the nautical theme. This is one of the band's most hypnotic arrangements since "Let Down" - just as beautiful, and just as disturbing.
- All I Need - Is it desperation or codependence? "I am an animal trapped in your hot car / You are all I need". Cascading musical wizardry begins at 2:50.

The best thing about this album is that, while it nicely complements the last three albums, it succeeds where those efforts failed: In Rainbows actually pulls the assortment of colorful and diverse tracks together to form a vivid and compelling musical display. In Rainbows is as brilliant as its title might suggest.